- Anamorphic Pro 2 0 – Professional Lens Blur Tool Free Download
- Anamorphic Pro 2 0 – Professional Lens Blur Tool Free
Premiumbeat.com are giving away 17 free 4K anamorphic lens flare overlays in this new blog post, which also explains how to use them in Adobe Premiere, After Effects and Final Cut Pro. The promo video above both showcases the flares and demonstrates how you could use them in your own projects. LensProToGo is the perfect place to rent cameras, lenses, and other photography and video gear including Canon, Nikon, Kessler, FreeFly Systems, Steadicam, RedRock Micro and much more, all shipped to anywhere in the US! Multiple photo modes such as Lens Blur, Wide Angle, Panorama, and Photo Sphere Need Android 6.0 or above. If this app is not available in your country, you can use this mirror link: APK Mirror file. It is another professional photo editor developed by Google. Snapseed is one of the popular and doesn't need an introduction.
Lens Blur For Mac
If you're looking for more options beyond regular Portrait Mode, Anamorphic Pro is what you need. Imagine Portrait Mode but with expensive cinematic and anamorphic lenses. Integration with the Mac Photos app makes it easy to edit your portrait shots. Features - Bokeh Style - Lens Distortion - Brush Mask Tool - LUT Film Filters Depth Data. Anamorphic Pro is a professional lens blur tool. Now you can edit iPhone Portrait Mode photos on your Mac. Anamorphic Pro turns your ordinary photos into cinematic masterpieces. Integration with the Mac Photos app makes it easy to edit your portrait shots.
Anamorphic Pro is a professional lens blur tool. Now you can edit iPhone Portrait Mode photos on your Mac. Anamorphic Pro turns your ordinary photos into cinematic masterpieces. Integration with the Mac Photos app makes it easy to edit your portrait shots. Lens Blur for Mac. Free NeuxsHubs Mac OS. Unlike traditional image editors, Lens Blur comes with real world lens profiles and lets you simulate what can only be achieved by those expensive lens. MAC Lens Blur is a very cool-toned, dark berry with a matte finish. It is a permanent eyeshadow that retails for $20.00 and contains 0.05 oz. Believe it when you feel it. Meet the velvet comfort you love on your lips – now for your lids. Experience a weightless kiss of colour with Powder Kiss Soft.
Today is Photoshop's 30th birthday! For 10,950 days, artists, designers, photographers and many others have inspired the world with their imaginations using the practical magic of Photoshop.
Share the love with #PsILoveYou30
On this milestone day we celebrate the evolution that brought us here, from the first use of Photoshop (before Photoshop 1.0) to create visual effects for James Cameron's movie, The Abyss … to the invention of the healing brush in Photoshop CS2 … to the wizardry of Content-Aware Fill … and all the amazing innovation in between. In 2016 we introduced Sensei AI and machine learning magic, resulting in many even more fantastic features including Select Subject, with of course much more to come. In 2019, Photoshop won an Academy Award, and we expanded it to new devices like the iPad.
We honor our long-standing collaboration of artists and engineers, where working together and with your feedback and inspiration we have built a tool that enables you to make the world a more beautiful place.
In celebration of this birthday, today we also release many great new features in both versions of Photoshop – on the desktop and on the iPad. Happy birthday, Photoshop! We will keep the magic rolling.
Photoshop on the desktop
Download here.
Content-Aware Fill Workspace Improvements
Now you can make multiple selections and apply multiple fills without leaving the workspace. Use the new 'apply' button to iterate your fills before committing. Click 'OK' only when you are finished. In this release we've addressed a big customer request to sample all layers in the CAF workspace. These workflow enhancements are designed to reduce clicks, give you more control, and speed you to great results.
The most magical secrets of how Content-Aware Fill works are locked in a vault deep inside Adobe so I can't tell you a lot about that. But I talked with the research scientists behind the feature to understand their approach to what we added today. A few releases ago we packaged all the CAF capabilities into a workspace. Since then we've worked closely with customers to further improve it, using customer-supplied images to ensure we solve your real-world problems. One of your top requests was to stay in the workspace to refine fills that need multiple CAF iterations – imagine removing something from behind many tree branches, or other tricky scenes with visual diversity. To do that, we now enable you to break the fill region into sub-parts to give you more iterative control to achieve a more realistic fill.
Lens Blur improvements
We've improved the output quality and performance of Lens Blur and put it on the GPU. This significantly improves the overall realism, including the sharpness and edges when using Lens Blur to synthetically blur the foreground, background or even the middle of an image.
The feature also now delivers more colorful bokeh via the specular highlights. This produces more realistic and pleasing results.
It's a little boggling to me how we can add such realistic blur to a 2D image after capture. So I talked with one of our research scientists to get an idea of how the new and improved, GPU-driven Lens Blur works. The results are created by an algorithm the team built by studying the first principles of physics and how light interacts with objects in the real world. It is carefully tuned to simulate a 3D environment to create the most realistic results possible, while also consuming the least amount of compute power so you don't burn up your machine. Lots of research and iteration occurred to make the feature. Several PhDs were involved. And now you can synthetically adjust the depth of field by dynamically manipulating the blur of a 2D image after capture in milliseconds.
Mac OS Dark UI support
Dark UI has been one of the more popular features of the Catalina Mac OS. Photoshop now supports the new dark mode. System dialogs like File>Open and File>Save now match the settings of your Mac OS.
If you have dark UI enabled, system dialogs will also be dark.
Performance improvements
You'll discover some key performance improvements with a more buttery and seamless mousing experience. Clicking interactions like panning and zooming will feel smoother and more responsive. You'll notice the biggest boosts on larger documents and when using the hand tool to zip around the canvas.
If you want to geek out, for stylus customers on Windows, you no longer need to use WinTab (you know who you are).
Photoshop on the iPad
Download the app here.
Reminder: Photoshop on the iPad is included in all Creative Cloud plans that include Photoshop. If you are already a member, all you have to do to get started is download Photoshop on the iPad and sign in.
We promised you a continuous stream of new features in the iPad version of Photoshop and today we release a fresh batch.
This is a major release for Photoshop on the iPad. With the addition of the Object Selection tool, selections on the iPad takes a huge leap forward beyond anything available in any other apps on the device before today. Check out the video above by our own Russell Preston Brown that shows the power of this new feature. And, give it a try!
Photoshop on the iPad is built using the same code base as Photoshop on the desktop. As you can see from the multiple releases we've delivered since we shipped the first version just three months ago, we are able to add new features with deep and rich capabilities and high quality output that matches that of the desktop very quickly. We are shipping these new capabilities as soon as the user experience has been adapted to the iPad and reimagined to take advantage of touch and mobility.
Object Selection tool
This feature was just released in Photoshop on the desktop at MAX 2019, three months ago. On the iPad we give you the same functions, with the same options and settings.
We're hearing from customers that Photoshop on the iPad 'helps them get closer to the pixels.' This feature is a great example of that, where the experience really shines in a touch environment when using the Apple Pencil. I encourage you to try it out.
Here's a primer on how the new Object Selection tool relates to the Select Subject tool (which was released on the iPad in December). Both features are now in Photoshop on desktop and iPad. Both use Sensei AI and machine learning to automatically make a great selection. They each radically reduce the steps to results and each is tuned for common, but different use cases.
Select Subject finds and selects the main subject in your image with one click with no input or guidance from you. This is best used when you have one primary object you want to quickly isolate.
The Object Selection tool is designed to give you speed, but also more control over the selection process on more complex images. For example, it is the right tool if you have images with multiple objects, or when selecting a part of an object, or if you want this part but not that part, or need to isolate more than one object in an image. With the Object Selection tool, you draw a rectangular region or even a crude lasso around the area you want to select, and the tool automatically finds and selects the primary objects inside the defined region. This is demonstrated in the video at the top of the iPad section, where we have a selection that requires getting this part but not that part of the oranges.
Here's another example using a fairly complex scene and background.
I drew a rough lasso around the woman. You can see how the marching ants snapped to her outline.
By pressing 'F' on the keyboard, I can scroll through different views of the selection to ensure I have what I want. For this image, the red background works best.
I then circled the man's glasses to add those to the selection with one quick stroke using the Lasso tool, and then added the guitar … you get the idea. It was super easy and I had what I wanted in just a few seconds.
Type settings
Type settings in this release brings many of the typographic controls you use in Photoshop on the desktop to the iPad. We added type layer, character and options properties. This includes tracking, leading, scaling, and formatting things like all/small caps, super/subscript. Kerning will ship in a future release.
How to give input on the iPad roadmap
We are so happy to get Photoshop on the iPad into your hands! Your experience, feedback and point of view have always been a critical part of our process, and we take that very seriously as we chart a path forward with the iPad. Please join our community forum to give feedback on what you would like to see in the future: feedback.photoshop.com. We look forward to your thoughts.
Cloud documents
In December we began rolling out major performance improvements to the upload and download experience of cloud documents for PSDs of 75mb and larger. On January 14, we expanded the improvements to apply to PSDs of 10MB or larger. Depending on the size of your file and your network performance, you can see up to 90% faster uploads and downloads with these updates.
Join us this week for a free virtual event
Join Digital Artists Anna McNaught and Magdiel Lopez on Adobe Live as they celebrate Photoshop's birthday! This week, Anna & Magdiel will share protips on the newest features in Photoshop for two days: February 19th and 20th from 9:30am – 2:00pm PT! Jump into the live stream and learn how to add visual graphics, composite photography and design in Photoshop with the pros! Or watch at your convenience here.
Photoimpact for mac os 10.13. By3.9 Gb.5.5 Gb.6.3 Gb.8.8 Gb.Photo Impact Pro 13 for PC & Mac, Windows, OSX, and Linux. PhotoImpact Pro 13 also offers dozens of new and improved features including drag-and-drop text effects, Photo Projects Wizard, Cool 360 Panorama tool and more!Equip yourself with the same tools and techniques professionals use to make photos come alive! PhotoImpact Pro 13 is the ideal choice for digital photography, creative design and web graphics - all in one powerful suite. It not only delivers state-of-the-art image editing for enthusiasts, but it also caters to first-time users with SmartGuide and 2,000 photorealistic scrapbook embellishments.
Thank You
The new decade is off to a great start. Thank you to all our customers throughout all the years for your partnership and inspiration.
Lens Blur For Mac Download
Share your love using #PsILoveYou30
Lens Blur For Mac
Smartphone Lenses: Anamorphic
The majority of smartphone filmmakers consider lens attachments to be essential additions to their basic filmmaking kit. I haven't included them in my Beginner's Guide, because I think they can be an unnecessary distraction, especially if you're just starting out.
Sqlpro studio 1 0 423 0. However, once you have the basics of smartphone filmmaking down, you might want to try adding one or more lenses to your filmmaker kit. One of the most popular lens attachments is the anamorphic.
When I set out to make my first smartphone film, I had read much positive reaction to the Moondog Labs Anamorphic adaptor. This lens has been a game changer for many filmmakers turning to smartphones. Not only did Sean Baker decide to shoot Tangerine with iPhones because of it, but leading camera app, FiLMiC Pro, even has a setting specifically for the Moondog Labs Anamorphic.
So, I felt I had to try one. I was not using an iPhone, however, and that was the first issue. But, checking their website, I found a 37mm option. So I bought a clip with a 37mm thread, from Amazon.
Why does this lens attachment need a special setting in your camera app?
Because to achieve a wide ratio such as 2.40:1, light coming through the lens is squashed horizontally onto the camera's sensor. The image must then be 'un-squeezed', otherwise everything will look taller and thinner, like in fairground hall of mirrors.
Some people get the widescreen effect simply by cropping their original image during the editing process. But this 'cheat' does not reproduce the sexier aspects of anamorphic look, plus it results in a loss of image resolution.
Noam Kroll discusses the use of anamorphic lenses here:
'Although you can compose the exact same frame using either spherical or anamorphic lenses, you'll ultimately need to crop your image in some way in order to achieve a wide aspect ratio when using a spherical lens, making it less desirable. For instance, a 2K image that's cropped to a 2.39:1 (widescreen) aspect ratio, only has 858 lines of vertical resolution. On the other hand, an anamorphic lens is able to take full advantage of all 1152 lines of vertical resolution.'
Anamorphic Pro 2 0 – Professional Lens Blur Tool Free Download
But here's why I don't use the anamorphic lens any more.
The clip problem
When using the Moondog lens with a phone which isn't an iPhone you need an alternative method of fixing it to the phone. The 37mm clip covers the exposure settings on FiLMiC Pro. Yes, there are ways around this issue.
- try attaching the anamorphic with a different mount. Moondog have a list here of different mounts for different phones (not up-to-date). The problem I have with this is the alternative mounts add bulk to the phone, which makes it impossible to use a gimbal. I also don't like adding too much bulk to my phone.
- Use a 2nd phone to control FiLMiC Pro. There is a remote option, so you could control the exposure using a 2nd phone or device. But for me, again, this is an extra complication which undermines the advantage of smartphone filmmaking – simplicity and fluidity.
- remove the clip, fix the settings, replace the clip. Now you're ready to film. Except, the lens will alter the amount of light hitting the sensor, so the exposure will be wrong.
- Use an alternative camera app. Moment also produce one. I've never used it (just installed it for $2) before, but from a quick look it doesn't seem to have ratio or resolution settings. My guess is this app is best used by Moment lens fans. On first glance, it's more of a marketing device than a serious camera app.
None of these options work for me. So I'm left with a choice – anamorphic lens or FiLMiC Pro?
It's a little boggling to me how we can add such realistic blur to a 2D image after capture. So I talked with one of our research scientists to get an idea of how the new and improved, GPU-driven Lens Blur works. The results are created by an algorithm the team built by studying the first principles of physics and how light interacts with objects in the real world. It is carefully tuned to simulate a 3D environment to create the most realistic results possible, while also consuming the least amount of compute power so you don't burn up your machine. Lots of research and iteration occurred to make the feature. Several PhDs were involved. And now you can synthetically adjust the depth of field by dynamically manipulating the blur of a 2D image after capture in milliseconds.
Mac OS Dark UI support
Dark UI has been one of the more popular features of the Catalina Mac OS. Photoshop now supports the new dark mode. System dialogs like File>Open and File>Save now match the settings of your Mac OS.
If you have dark UI enabled, system dialogs will also be dark.
Performance improvements
You'll discover some key performance improvements with a more buttery and seamless mousing experience. Clicking interactions like panning and zooming will feel smoother and more responsive. You'll notice the biggest boosts on larger documents and when using the hand tool to zip around the canvas.
If you want to geek out, for stylus customers on Windows, you no longer need to use WinTab (you know who you are).
Photoshop on the iPad
Download the app here.
Reminder: Photoshop on the iPad is included in all Creative Cloud plans that include Photoshop. If you are already a member, all you have to do to get started is download Photoshop on the iPad and sign in.
We promised you a continuous stream of new features in the iPad version of Photoshop and today we release a fresh batch.
This is a major release for Photoshop on the iPad. With the addition of the Object Selection tool, selections on the iPad takes a huge leap forward beyond anything available in any other apps on the device before today. Check out the video above by our own Russell Preston Brown that shows the power of this new feature. And, give it a try!
Photoshop on the iPad is built using the same code base as Photoshop on the desktop. As you can see from the multiple releases we've delivered since we shipped the first version just three months ago, we are able to add new features with deep and rich capabilities and high quality output that matches that of the desktop very quickly. We are shipping these new capabilities as soon as the user experience has been adapted to the iPad and reimagined to take advantage of touch and mobility.
Object Selection tool
This feature was just released in Photoshop on the desktop at MAX 2019, three months ago. On the iPad we give you the same functions, with the same options and settings.
We're hearing from customers that Photoshop on the iPad 'helps them get closer to the pixels.' This feature is a great example of that, where the experience really shines in a touch environment when using the Apple Pencil. I encourage you to try it out.
Here's a primer on how the new Object Selection tool relates to the Select Subject tool (which was released on the iPad in December). Both features are now in Photoshop on desktop and iPad. Both use Sensei AI and machine learning to automatically make a great selection. They each radically reduce the steps to results and each is tuned for common, but different use cases.
Select Subject finds and selects the main subject in your image with one click with no input or guidance from you. This is best used when you have one primary object you want to quickly isolate.
The Object Selection tool is designed to give you speed, but also more control over the selection process on more complex images. For example, it is the right tool if you have images with multiple objects, or when selecting a part of an object, or if you want this part but not that part, or need to isolate more than one object in an image. With the Object Selection tool, you draw a rectangular region or even a crude lasso around the area you want to select, and the tool automatically finds and selects the primary objects inside the defined region. This is demonstrated in the video at the top of the iPad section, where we have a selection that requires getting this part but not that part of the oranges.
Here's another example using a fairly complex scene and background.
I drew a rough lasso around the woman. You can see how the marching ants snapped to her outline.
By pressing 'F' on the keyboard, I can scroll through different views of the selection to ensure I have what I want. For this image, the red background works best.
I then circled the man's glasses to add those to the selection with one quick stroke using the Lasso tool, and then added the guitar … you get the idea. It was super easy and I had what I wanted in just a few seconds.
Type settings
Type settings in this release brings many of the typographic controls you use in Photoshop on the desktop to the iPad. We added type layer, character and options properties. This includes tracking, leading, scaling, and formatting things like all/small caps, super/subscript. Kerning will ship in a future release.
How to give input on the iPad roadmap
We are so happy to get Photoshop on the iPad into your hands! Your experience, feedback and point of view have always been a critical part of our process, and we take that very seriously as we chart a path forward with the iPad. Please join our community forum to give feedback on what you would like to see in the future: feedback.photoshop.com. We look forward to your thoughts.
Cloud documents
In December we began rolling out major performance improvements to the upload and download experience of cloud documents for PSDs of 75mb and larger. On January 14, we expanded the improvements to apply to PSDs of 10MB or larger. Depending on the size of your file and your network performance, you can see up to 90% faster uploads and downloads with these updates.
Join us this week for a free virtual event
Join Digital Artists Anna McNaught and Magdiel Lopez on Adobe Live as they celebrate Photoshop's birthday! This week, Anna & Magdiel will share protips on the newest features in Photoshop for two days: February 19th and 20th from 9:30am – 2:00pm PT! Jump into the live stream and learn how to add visual graphics, composite photography and design in Photoshop with the pros! Or watch at your convenience here.
Photoimpact for mac os 10.13. By3.9 Gb.5.5 Gb.6.3 Gb.8.8 Gb.Photo Impact Pro 13 for PC & Mac, Windows, OSX, and Linux. PhotoImpact Pro 13 also offers dozens of new and improved features including drag-and-drop text effects, Photo Projects Wizard, Cool 360 Panorama tool and more!Equip yourself with the same tools and techniques professionals use to make photos come alive! PhotoImpact Pro 13 is the ideal choice for digital photography, creative design and web graphics - all in one powerful suite. It not only delivers state-of-the-art image editing for enthusiasts, but it also caters to first-time users with SmartGuide and 2,000 photorealistic scrapbook embellishments.
Thank You
The new decade is off to a great start. Thank you to all our customers throughout all the years for your partnership and inspiration.
Lens Blur For Mac Download
Share your love using #PsILoveYou30
Lens Blur For Mac
Smartphone Lenses: Anamorphic
The majority of smartphone filmmakers consider lens attachments to be essential additions to their basic filmmaking kit. I haven't included them in my Beginner's Guide, because I think they can be an unnecessary distraction, especially if you're just starting out.
Sqlpro studio 1 0 423 0. However, once you have the basics of smartphone filmmaking down, you might want to try adding one or more lenses to your filmmaker kit. One of the most popular lens attachments is the anamorphic.
When I set out to make my first smartphone film, I had read much positive reaction to the Moondog Labs Anamorphic adaptor. This lens has been a game changer for many filmmakers turning to smartphones. Not only did Sean Baker decide to shoot Tangerine with iPhones because of it, but leading camera app, FiLMiC Pro, even has a setting specifically for the Moondog Labs Anamorphic.
So, I felt I had to try one. I was not using an iPhone, however, and that was the first issue. But, checking their website, I found a 37mm option. So I bought a clip with a 37mm thread, from Amazon.
Why does this lens attachment need a special setting in your camera app?
Because to achieve a wide ratio such as 2.40:1, light coming through the lens is squashed horizontally onto the camera's sensor. The image must then be 'un-squeezed', otherwise everything will look taller and thinner, like in fairground hall of mirrors.
Some people get the widescreen effect simply by cropping their original image during the editing process. But this 'cheat' does not reproduce the sexier aspects of anamorphic look, plus it results in a loss of image resolution.
Noam Kroll discusses the use of anamorphic lenses here:
'Although you can compose the exact same frame using either spherical or anamorphic lenses, you'll ultimately need to crop your image in some way in order to achieve a wide aspect ratio when using a spherical lens, making it less desirable. For instance, a 2K image that's cropped to a 2.39:1 (widescreen) aspect ratio, only has 858 lines of vertical resolution. On the other hand, an anamorphic lens is able to take full advantage of all 1152 lines of vertical resolution.'
Anamorphic Pro 2 0 – Professional Lens Blur Tool Free Download
But here's why I don't use the anamorphic lens any more.
The clip problem
When using the Moondog lens with a phone which isn't an iPhone you need an alternative method of fixing it to the phone. The 37mm clip covers the exposure settings on FiLMiC Pro. Yes, there are ways around this issue.
- try attaching the anamorphic with a different mount. Moondog have a list here of different mounts for different phones (not up-to-date). The problem I have with this is the alternative mounts add bulk to the phone, which makes it impossible to use a gimbal. I also don't like adding too much bulk to my phone.
- Use a 2nd phone to control FiLMiC Pro. There is a remote option, so you could control the exposure using a 2nd phone or device. But for me, again, this is an extra complication which undermines the advantage of smartphone filmmaking – simplicity and fluidity.
- remove the clip, fix the settings, replace the clip. Now you're ready to film. Except, the lens will alter the amount of light hitting the sensor, so the exposure will be wrong.
- Use an alternative camera app. Moment also produce one. I've never used it (just installed it for $2) before, but from a quick look it doesn't seem to have ratio or resolution settings. My guess is this app is best used by Moment lens fans. On first glance, it's more of a marketing device than a serious camera app.
None of these options work for me. So I'm left with a choice – anamorphic lens or FiLMiC Pro?
Here is an outtake from You Have Been Chosen. In this take I managed to avoid the gimbal in shot issue.
Other issues
Although it's a pretty simple device, it does add some burden to your shoot. You will be spending extra time fitting the lens, adjusting it, cleaning it, finding where you last set it down…
I also found 2 major issues when combining the lens with a gimbal. First, the extra weight means you need to add a counterweight to your gimbal (I used 3 £1 coins stuck on with Blu-Tack). Again, something else to fiddle with which slows you down. Second, the extra wideness brings into shot the front of the gimbal. So, unless you want a black blob moving up and down on the right hand side of the image, you need to angle the gimbal so you are holding it in an unnatural way.
While I was filming, I kept forgetting (even when we stuck white tape to it), so many of my shots ended up with gimbal in frame, which I then had to crop out in the edit. Winclone pro 8 0 24. Below is a frame (ungraded) – to the right you can see the gimbal at the edge of the shot.
Note: since I have upgraded from the Samsung S8 to the S9, I find the gimbal is now in frame, even without any lens attachments. Presumably, the S9 has a wider lens than the S8.
The Moment Anamorphic Lens
Moment are a popular brand of smartphone lenses. They also do an anamorphic adaptor, which can mount on a their own phone case.
For those shooting with an android phone, there's a little more information here at Droid Life. So, this case would fix the issue caused by the clip.
Read more:Moment Smartphone Lenses
There's only been one (so far) YouTube Moment vs Moondog Labs Anamorphic showdown. It's flawed, as the tester used 2 different phones, which makes it hard to tell whether the difference is because of the phone or the lens. But here it is anyway:
There's also a Beastgrip Anamorphic lens.
Beastgrip's Anamorphic lens is listed at $175. They also make a 37mm mounting plate, which can be used with lenses with a 37mm thread (such as the Moondog Labs Anamorphic).
Read More:Beastgrip Lenses for Smartphone
If you're using an iPhone, it seems there's less issues to overcome when adding an anamorphic adaptor. This is down to the fact that the iPhone market for accessory makers is still currently far greater than for Android. Plus, Android phones obviously come in many many shapes and sizes. Which just adds to the difficulty for accessory makers when it comes to design – the android market is fractured.
This becomes the self-fulfilling prophecy of Apple success: accessory makers focus on iPhones, people buy iPhones for the extra accessories, makers continue focusing on iPhone. Rinse and repeat.
If you're really desperate to film with anamorphic, for the bendy lines and the lens flare, then go for it. But, until someone designs an android clip that works with FiLMiC Pro, certainly easier to use when combined with an iPhone.
Anamorphic Pro 2 0 – Professional Lens Blur Tool Free
Read Next:Best Smartphone Filmmaking Kit 2019.
Eager to learn more?
Join our weekly newsletter featuring inspiring stories, no-budget filmmaking tips and comprehensive equipment reviews to help you turn your film projects into reality!
- Shares
- 24
- 15
